Project Profile:

The Juba Project: Early Blackface Minstrelsy in Britain, 1842-1852

Archived Project

Website: https://library2.utm.utoronto.ca/otra/minstrels/

Description: The Juba Project, named after early minstrelsy’s most famous and most unusual early practitioner, explores this phenomenon both from a historical and a dramaturgical perspective. Links on this page will take you to the different parts of the project, including a database that will allow you to trace the movements of performers around Britain from 1842-1852 (Search the Database), a closer examination of some of the documents and one group of performers (Featured Performers & Documents — a good place to start), a performance-practice site that will explore the responses of contemporary artists to the documents and traditions of minstrelsy (Artists Respond), and information about a book of original essays on minstrelsy’s traditions and legacy, edited by Juba Project Director Stephen Johnson (Burnt Cork).

Contributors:

  • Stephen Johnson, Professor Emeritus, Department of English and Drama, University of Toronto Mississauga
  • Beth Marquis, Professor, Director of the Arts and Science Program, McMaster University.
  • Alexis Butler

Funders: SSHRC; Office of the Associate Dean, University of Toronto Mississauga; Office of the Dean, School of Graduate Studies, University of Toronto; Office of the Vice-President and Provost, University of Toronto; The Jackman Humanities Institute; The Connaught Foundation

Recent News

Joint Press Release: The Future of CDHI Moves to UTSC

In partnership with the University of Toronto Scarborough (UTSC), the Critical Digital Humanities Initiative (CDHI) is excited to announce that our important work will continue beyond June 2025.   Since 2021, CDHI has flourished as a tri-campus research...

read more